This mussel man is digging deep

This mussel man is digging deep

Photo by Anastasiia Rusaeva on Unsplash

Originally published 29 July 2003

There is no more deli­cious meal than a mess of salt­wa­ter mus­sels steamed in white wine, accom­pa­nied by a stick of just-baked French bread and a crisp green sal­ad. And, of course, a carafe of chilled white wine.

Invari­ably, about halfway through din­ner (and halfway through the carafe of wine), I begin to pon­der the unfath­omable mys­ter­ies of exis­tence. Such as: How does one half of a mus­sel shell know what the oth­er half is doing?

No kid­ding. These things both­er me. Hold an emp­ty mus­sel shell between your fin­gers. Squeeze it shut and the two sides meet like the case of a fine Swiss pock­et watch. You could­n’t slip a hair between the gap. As the shell grows, adding rings like a tree, the two sides main­tain inti­mate and pre­cise con­tact, yet they are phys­i­cal­ly sep­a­rate. Some­how the two sides com­mu­ni­cate across the gap: “I’m adding a mol­e­cule at posi­tion X. You bet­ter add one, too.”

To build a mature mus­sel shell means putting, say, 50 bil­lion tril­lion mol­e­cules into place (that’s about the num­ber of let­ters in 250 tril­lion sets of the Ency­clo­pe­dia Bri­tan­ni­ca). Sym­met­ri­cal­ly. So that the two sides of the shell stay per­fect­ly matched.

I’m sure some sci­en­tist has thought about this, maybe even fig­ured it out, but, if so, I don’t know about it. All I know is that darn lit­tle mus­sel man­ages to express its genes in such a way that it builds a shell that clos­es snug­ger than the door of a new Ferrari.

But why stop with mus­sels. Look at that lady across the table, nib­bling on her sal­ad. The lash­es on her right and left eyes are exact­ly equal in length. How do the lash­es on the left know what the lash­es on the right are doing? No pos­si­bil­i­ty of com­mu­ni­ca­tion. It’s clear­ly genetic.

Every cell of every lash share the same set of con­struc­tion plans, includ­ing the length of eye­lash­es, copied over and over zil­lions of times from the first fusion of egg and sperm. How do the genes copy them­selves so flaw­less­ly? They don’t, of course. The copy­ing is hard­ly ever per­fect. But every cell has chem­i­cal machin­ery (made by the genes) that check and repair mis­takes. Built-in qual­i­ty control.

Some­how, in ways we don’t yet ful­ly under­stand, a four-let­ter chem­i­cal code spins out a body that is per­fect­ly sym­met­ri­cal. Except where it isn’t. As, for exam­ple, in the lop­sided place­ment of the heart and the curlicue twist of the intestines.

About now you are think­ing: “Ah, I would­n’t want to go out to din­ner with him.” And you’d prob­a­bly be right. But there still remains the quo­tid­i­an mys­tery of the world.

Have anoth­er glass of wine and think about snowflakes for a minute.

Snowflakes grow with a per­fect six-sided sym­me­try, no two flakes alike. No build­ing plan. No check and repair. Water mol­e­cules begin to crys­tal­lize around a micro­scop­ic speck of dust. The snowflake grows, adding water mol­e­cules around the edges, bil­lions of bil­lions of water mol­e­cules. The basic six-fold sym­me­try of the crys­tal is eas­i­ly explained by the shape of water mol­e­cules, which link to form hexa­gons. But how do the mol­e­cules attach­ing at one point of the snowflake know what the mol­e­cules are doing on anoth­er point, a bil­lion mol­e­cules away? How is the detailed, over­all sym­me­try maintained?

I read some­where that sub­lime­ly sen­si­tive mol­e­c­u­lar vibra­tions have some­thing to do with it, like an orches­tra stay­ing in tune. Maybe so, but imag­ine an orches­tra that fills the entire con­ti­nen­tal Unit­ed States. What are the chances that they’ll play in har­mo­ny across thou­sands of miles? Not very good, I reckon.

Some folks on the fringes of sci­ence talk about “mor­phic res­o­nance,” by which organ­isms and crys­tals some­how “remem­ber” what they are sup­posed to be from the pre­vi­ous expe­ri­ence of their kind. Hun­dreds of years ago Johannes Kepler pro­posed a “fac­ul­tas for­ma­trix” of nature, a for­ma­tive fac­ul­ty, to explain the sym­me­try of the snowflake. OK, but giv­ing some­thing a name does­n’t explain it.

The fun­ny thing is, the more we learn about the world the more aston­ish­ing the whole thing seems.

Now take this let­tuce leaf, for instance…

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