Originally published 11 November 1996
Frank Sulloway thinks he has discovered the driving engine of history: birth order.
That’s right, birth order of siblings within families is the most reliable predictor of revolutionary creativity, he claims. And revolutionary creativity determines the course of history.
Sulloway is a historian of science, currently associated with the Department of Brain and Cognitive Studies at MIT. His new book, Born to Rebel: Birth Order, Family Dynamics and Creative Lives, makes an impressive statistical case for his daring thesis. This is a terrific book, solidly researched and great fun to read.
According to Sulloway, personality is the repertoire of strategies we develop in our struggle to survive childhood. We are programmed by millions of years of Darwinian natural selection to compete with our siblings for parental favor.
Firstborns identify with parents and authority, and defend their primary place against encroachments by younger brothers and sisters. They tend to be ambitious, conscientious, and conservative.
Later-borns must stake out new family niches; to this end, they are open to new experiences and take greater risks. They tend to be imaginative, flexible, and liberal.
To test Sulloway’s thesis, I conducted interviews with three famous pairs of siblings: Hansel and Gretel, Flopsy and Peter Rabbit, and the Hardy boys. Their responses follow:
Hansel: “I knew my father didn’t want us to die in the forest. He’s really a splendid fellow, just led astray by our wicked stepmother. If the family hadn’t been starving, he would never have listened to her evil scheme. Besides, I knew I could find our way home from the forest if I applied my mind to it. A pocket full of shiny pebbles, a pocket full of bread crumbs. My younger sister Gretel is such a whiner. Always whimpering, complaining. She doesn’t realize how hard it is for our father to feed a family of four on a woodcutter’s income. I knew that when we found our way home he would be proud of me.”
Gretel: “If only Hansel would open his eyes he would realize that our father had only one thing in mind: filling his own fat belly. Sure, our stepmother put him up to it, but he consented to abandon us in the forest, not once, but twice. Hansel’s such a fool, always making excuses for Father. And that silly scheme to follow a trail of bread crumbs, as if bread crumbs were the same as shiny pebbles. Never passed his mind that birds might eat the crumbs. I’ll admit I was scared. But who was it who saved our necks in the end? Who thought of tricking the witch into sticking her head in the oven? Who pushed her in and bolted the door? Not clever Hansel. If I had my way, we would have taken the witch’s pearls and precious jewels and gone off to live in some glittering city, bought myself some adorable dresses, a coach and fours, married a prince. But not Hansel. Even after what our father did to us, he returned home and gave Father the witch’s treasure. What good, I ask you, is an older brother?”
Flopsy: “It’s a terrible burden being the oldest in the family. So much responsibility keeping Mopsy, Cotton-Tail, and Peter from making nuisances of themselves. Especially Peter, the youngest. Always getting in trouble. Just the other day he made a terrible mess of it. Disobeyed our mother while she was off to the store buying currant buns. Sneaked into Mr. McGregor’s garden. Can you believe it? The last thing Mother said was ‘Don’t go into Mr. McGregor’s garden.’ And off he goes. Lost his shoes and jacket, too. He was lucky to get away alive. For the life of me, I can’t understand why he doesn’t show better sense. Mother was in a frantic fit.”
Peter Rabbit: “Currant buns! Who the heck wants to eat currant buns when there’s lettuce, radishes, and parsley just inside McGregor’s fence. Currant buns ain’t rabbit food. Flopsy, Mopsy, and Cotton-Tail are such weenies, in their silly little jackets and prissy shoes. Who ever heard of a rabbit in jacket and shoes? They’re trying to win brownie points with Ma, that’s what. Meanwhile, I’m having the time of my life munching McGregor’s veggies. My older sisters and brother got freaked out ’cause I lost my jacket and shoes. No way! I ditched ’em as soon as I was outta Ma’s sight. Ditched my shoes and ran like the wind, that’s what. Made a fool of McGregor. OK, so I got put to bed without my supper. Who needs it? Man, those radishes were good!”
Frank Hardy: “Gosh, it’s swell to be the son of a famous detective. Dad’s topnotch, and he always lets me and Joe help him sleuth his cases. Joe’s my younger brother. My best pal, too. We do everything together. Chase bank robbers, spy on smugglers, foil counterfeiters. Trouble is, Joe tends to fly off in all directions. He’s impetuous, Dad says. A detective should be reflective, analytical, careful. Like Dad. People always say I remind them of Dad. ‘Frank, they say. You’re the spittin’ image of Fenton Hardy.’ ”
Joe Hardy: “My brother Frank is a crackerjack guy. But sometimes he’s such a straight arrow. Just once I’d like for him to do something crazy. Lose his temper. Use a cuss word. Break the speed limit in our roadster. He’s always worrying about what Dad will think. It’s Dad this, Dad that. Sometime I’d like to get off on my own — without Frank. Sneak a beer in a Bayport bar. Take Chet’s sister Iola out to that abandoned house on the cliff, cop a feel, steal a kiss. Frank is such a goody-goody. I can’t wait ’till I’m old enough to get away from Bayport on my own. Hollywood, maybe. Play a detective in films. Chase starlets. Drink like a fish. I’m tired of living in Frank’s shadow. I was born to rebel.”