The power behind our invisible cells

The power behind our invisible cells

Bahama woodstar • Photo by Under the Same Moon... (CC BY 2.0)

Originally published 25 February 2003

EXUMA, Bahamas — For sev­er­al weeks now I have been liv­ing with a pair of hum­ming­birds—Bahama wood­stars, tiny crea­tures, about the size of my lit­tle finger.

They live some­where near­by, though I haven’t found their nest. They spend all day at our hum­ming­bird feed­er, sip­ping sug­ar water. They have become quite tame. I expect that soon I will have them feed­ing from a cup in my hand.

What per­fect lit­tle machines they are! No oth­er bird can per­form their tricks of flight — fly­ing back­wards, hov­er­ing in place. It is hilar­i­ous to watch the big­ger and less-well-adapt­ed bananaquits try­ing to drink from the per­ch­less hum­ming­bird feed­er, clum­si­ly flap­ping their bulky wings to stay in place.

The hum­ming­bird pays a price for its agili­ty. It takes ener­gy to move its wings so fast — an invis­i­ble 80 beats per sec­ond. The bird must con­sume its weight each day in nec­tar (or sug­ar water). That’s the equiv­a­lent of me guz­zling a bot­tle of Gatorade every five min­utes of my wak­ing hours.

Zip. Zip. From place to place. As I watch, I nev­er cease to won­der at the chem­i­cal sys­tem of com­mand and con­trol that lets the bird per­form a dozen intri­cate maneu­vers more quick­ly than I can turn my head.

The hum­ming­bird is awash in sig­nals from its envi­ron­ment — visu­al, olfac­to­ry, audi­to­ry, and tac­tile cues that it must process and respond to with light­ning speed.

How does it do it? Pro­teins, mostly.

A pro­tein is a chain of hun­dreds of amino acids fold­ed into a com­plex shape like a piece of a three-dimen­sion­al jig­saw puz­zle. Every cell of the hum­ming­bird’s body is a buzzing con­ver­sa­tion of pro­teins, speak­ing a lan­guage of shape — shapes as var­i­ous as the words in a human vocabulary.

An odor mol­e­cule, from a blos­som, for exam­ple, binds to a recep­tor pro­tein on the sur­face of a cell of the hum­ming­bird’s olfac­to­ry organ — like a jig­saw-puz­zle piece with its neigh­bor. This caus­es the recep­tor to change that part of its shape that extends through the cell membrane.

Anoth­er pro­tein inside the cell now binds with the new con­fig­u­ra­tion of the recep­tor, and changes its own shape. And so on, in a sequence of shape-shift­ing and bind­ing — called a sig­nal-induc­tion cas­cade — until the brain of the hum­ming­bird expe­ri­ences the odor.

Appro­pri­ate sig­nals must now be sent from the brain to the body. Wing mus­cles must respond — tip, aim, zip — to direct the hum­ming­bird to the source of nour­ish­ment. Tens of thou­sands of pro­teins in a host of cells talk­ing to each oth­er, each pro­tein genet­i­cal­ly pre­fig­ured to car­ry on its con­ver­sa­tion in a par­tic­u­lar loca­tion in the body.

All of this hap­pens con­tin­u­ous­ly, and so quick­ly that to my eye the bird’s maneu­vers are a blur.

The 20th cen­tu­ry was the cen­tu­ry of the genet­ics. We now under­stand how genes make pro­teins — tens of thou­sands of dif­fer­ent kinds of pro­teins in an organ­ism such as a human or a hummingbird.

The 21st cen­tu­ry will be the cen­tu­ry of pro­teomics, the sci­ence of pro­teins. A huge­ly com­plex lan­guage of shapes and shapeshift­ing must be trans­lat­ed, dic­tio­nar­ies com­piled, gram­mar and syn­tax under­stood. The task is mon­u­men­tal, and could not be under­tak­en with­out the ben­e­fit of mas­sive com­put­er data­bas­es and inter­na­tion­al col­lab­o­ra­tions of hun­dreds of scientists.

Even as you sit there read­ing these words, the con­ver­sa­tion is going on in every cell of your body. Even as my hum­ming­bird paus­es at the feed­er, its cells are talk­ing to each oth­er at a speed that makes ordi­nary human lan­guage seem pos­i­tive­ly tongue-tied.

The biol­o­gist Ursu­la Good­e­nough called her lit­tle book of sci­en­tif­ic and spir­i­tu­al reflec­tions The Sacred Depths of Nature. The depths she is think­ing of have a lot to do with the aston­ish­ing mol­e­c­u­lar chem­istry that lets an organ­ism like a hum­ming­bird burn like a flick­er­ing flame, to dart, to hov­er, to dis­ap­pear from one place and appear in anoth­er as if by magic.

The pow­er of the vis­i­ble is the invis­i­ble,” said poet Mar­i­anne Moore. The sleek, iri­des­cent body, the soda-straw beak, the whirring heli­copter wings: What we see is daz­zling enough. What we can­not see is even more dazzling.

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