The colors of the seamless web

The colors of the seamless web

A hummingbird helps to pollinate a cardinal flower • Photo by Joshua J. Cotten on Unsplash

Originally published 19 September 1994

My field guide calls the car­di­nal flower “bright red.” Those sim­ple words inad­e­quate­ly describe the car­di­nal flow­er’s elec­tric pres­ence in the ditch. Scar­let? Ver­mil­ion? Not enough pizazz.

Call in the peo­ple who invent the names on paint chips. Valen­tine. Stop­light. Chili Pep­per. Red Rid­ing­hood Red.

None oth­er of our wild­flow­ers is so con­spic­u­ous­ly col­ored. Thore­au referred to the car­di­nal flow­er’s “red artillery.” On anoth­er occa­sion he was remind­ed of the scar­let of sin.

I’ve been watch­ing a colony of car­di­nal flow­ers for a dozen years, one of only two I know about in the neigh­bor­hood. Its pop­u­la­tion has mod­est­ly waxed and waned, tee­ter­ing on the brink of local extinc­tion. This year I count 16 plants spread out along 50 feet of drainage ditch.

In his jour­nal, Thore­au describes a ditch jam-packed with the plants, 10 to the square foot, four or five thou­sand in all, like an advanc­ing rank of red­coats. My colony is more rag­tag, like a shat­tered troop of British reg­u­lars strag­gling home from defeat at Lex­ing­ton. Still, it enlivens the late sum­mer with its flint­lock flash of crimson.

The car­di­nal flower is a North Amer­i­can native. Ear­ly explor­ers of Cana­da admired the plant and shipped it home to France and Eng­land, where it became a gar­den favorite. Its Latin name, Lobelia car­di­nalis, derives from a Flem­ish botanist named Matthias de l’O­bel. The l’O­bel fam­i­ly name came from the white poplar or “abele” tree, so we have a name migrat­ing from a plant to man and back to a plant. “Car­di­nalis,” of course, refers to the col­or worn by princes of the Roman Catholic church.

Blue is a more com­mon col­or among our late-sum­mer wild­flow­ers; yel­low and white yet more ubiq­ui­tous. Still, as Thore­au not­ed, a lit­tle car­di­nalis goes a long way. My 16 plants announce their pres­ence from far off, stand­ing out among their massed green neigh­bors with prince­ly ostentation.

Green is the col­or of liveli­hood. The pig­ment that col­ors green plants — and there­fore much of the plan­et — is chloro­phyll, a chem­i­cal that har­ness­es sun­light and chan­nels its ener­gy into sub­stances that pro­vide food for all life on earth. Green, for plants, is nine-to-five, nose-to-the-grind­stone, earn­ing one’s keep.

Red is the col­or of reproduction.

And from the gaudy, par­ty-hat look of it, the car­di­nal flower appears to be hav­ing fun.

With pools of nec­tar at the base of deep-throat­ed blos­soms, the car­di­nal flower is adapt­ed to pol­li­na­tion by long-beaked hum­ming­birds and day­time moths with extend­ed mouth­parts. I’ve nev­er seen a hum­ming­bird or moth near my colony, but some­one must be vis­it­ing. The blos­som is inge­nious­ly designed to insure that a vis­i­tor moves some pollen about.

Per­fect­ly posi­tioned above each nec­tar-filled tube is an over­hang­ing flower-part that goes through two stages, first male, then female. As a hum­ming­bird or moth arrives to feed at a flower in the male stage, its fore­head is dust­ed with pollen by a lit­tle white brush. When it then goes to a flower in the female stage, the pollen is trans­ferred to a sticky pur­ple pad.

The car­di­nal flower needs winged crea­tures to bring pollen grains and eggs togeth­er. And with­out plants, hum­ming­birds and moths are unable to tap into the sun’s ener­gy. It’s a trade-off: I’ll scratch your back, you scratch mine.

We’re all part of it, this web of inter­de­pen­dence, up to our necks in it. Envi­ron­men­tal­ists preach the need of species preser­va­tion. Cli­ma­tol­o­gists insist that even the weath­er depends upon the con­tin­u­ance of the bal­ance of nature. Geol­o­gists tell us the air we breathe is a del­i­cate exha­la­tion of the seam­less web of life. No species is expend­able, they say; we are bound togeth­er by our mutu­al need.

But some­times it takes a kick in the head to make it sink in. Like that lit­tle pollen-tipped fore­head brush of the male car­di­nal flower, the sticky pad of the female flower — and the hummingbird.

Of course, not all plants require birds or insects to com­plete their sex­u­al trans­ac­tions. For hun­dreds of mil­lions of years, plants relied almost exclu­sive­ly upon wind and water to unite the male and female germs, with per­haps some catch-as-catch-can pol­li­na­tion by ani­mals. Then, about 100 mil­lion years ago, in the era called the Cre­ta­ceous — not so long ago on the geo­log­i­cal time scale — plants evolved adver­tis­ing. Col­ored blos­soms shout­ing “Here I am!”

Fos­sils tell the sto­ry: Sud­den­ly, mag­no­lias are bloom­ing among cone-bear­ing pines and flow­er­ing sas­safras among the ferns, bright-hued addi­tions to a world of brown and green. Like fur and feath­ers, the notion of flow­ers seems obvi­ous once we have it, but who could have imag­ined it before the fact?

It’s no acci­dent that I’m pow­er­ful­ly drawn to the 16 car­di­nal flow­ers strung out along the ditch. The whole point of their “see- me” col­or is to attract atten­tion, a pur­pose per­haps not alto­geth­er dif­fer­ent from that of their scar­let-clad eccle­si­as­ti­cal eponyms.

Alas for the flow­ers, my dietary needs and mouth parts are not adapt­ed to spread­ing their pollen. For that they need hum­ming­birds or moths also drawn to blos­soms of siren-scream­ing Fire-engine Red.

Share this Musing: