Image of replica Atanasoff-Berry computer

A replica of the Atanasoff-Berry computer at Iowa State University • Photo by Manop (CC BY-SA 3.0)

Image of clearcut forest

Photo by Calibas (CC BY-SA 3.0)

Image of supernova remnant

Remnant of Kepler's Supernova (SN 1604) • NASA/ESA/JHU/R.Sankrit & W.Blair (Public Domain)

Image of flying saucer toy

Image by D J Shin (CC BY-SA 3.0)

Image of Holocaust Memorial

Memorial to the Murdered Jews of Europe—Berlin, Germany (Public Domain)

Image of the Sun in X-rays

High energy emissions from the Sun • NASA/JPL-Caltech/GSFC

Image of mathematical notes

Excerpt from a notebook of Ramanujan (Public Domain)

Image of man working at computer and music keyboard

Photo by Jesman fabio on Unsplash

But will it play in drawing room?

We have a teenag­er in our house with equal enthu­si­asm for com­put­ers and for clas­si­cal music. He brings the two togeth­er with inex­pen­sive soft­ware that allows him to tran­scribe a musi­cal score into his com­put­er, manip­u­late voice, key and tem­po, and play it back through the stereo sys­tem. The result leaves some­thing to be desired. When you have heard a Mozart piano con­cer­to syn­the­sized by a four-voice home com­put­er, it is easy to con­clude that com­put­ers and music should nev­er be allowed to mix.

Image of circle of light above Eiffel Tower

What could have been

A razzle-dazzle ring circling the world

From the moment the plan for a thou­sand-foot-high tow­er was approved, the naysay­ers began to carp. Forty-sev­en writ­ers, archi­tects, and artists penned an indig­nant man­i­festo con­demn­ing the “black and gigan­tic fac­to­ry chim­ney” that would crush beneath it all of the beau­ty of Paris. The writer Guy de Mau­pas­sant called it “an unavoid­able and tor­ment­ing nightmare.”

Image of primrose flowers

Primula vulgaris, or common primrose • Photo by Henry Perks on Unsplash