Subtle pleasures

Subtle pleasures

The Garden in the Woods, Framingham MA • Photo by Daderot (Public Domain)

Originally published 13 June 1988

I have no taste for for­mal gar­dens. Banks of glad­i­o­las, no mat­ter how col­or­ful and var­ie­gat­ed, hold no attrac­tion. Acres of tulips, or aza­leas, or ros­es might as well be grass.

Give me instead the entice­ments of the unex­pect­ed. The soli­tary wild columbine on a rocky ledge. The half-dozen car­di­nal flow­ers in a drainage ditch. The spooky coven of Indi­an pipes in the oak woods. Once I went to the New Eng­land Spring Flower Show. It was a smoth­er­ing embrace. I’ll take some coquetry with my flow­ers. Whis­pered endear­ments. Sweet nothings.

The nat­u­ral­ist John Muir said that the two great­est moments of his life were the time he camped with Ralph Wal­do Emer­son at Yosemite, and the time he found the rare orchid calyp­so bloom­ing alone in a Cana­di­an swamp. I appre­ci­ate that.

This is the time each year when I return to that spot in the deep woods were sev­er­al years ago I found a sin­gle white lady’s slip­per—not as rare per­haps as calyp­so, but rare enough to be the only albi­no lady’s slip­per I have ever seen. And this year it was there again, tall, white, all alone among its pink cousins, toy­ing with my curios­i­ty, con­tin­u­ing an intrigue that began serendipitously.

And this spring I also found a land­scaped gar­den that cul­ti­vates the serendip­i­tous plea­sures of flow­ers in the wild. The New Eng­land Wild Flower Soci­ety’s Gar­den in the Woods in Fram­ing­ham is so much to my taste that I’m a lit­tle abashed it took me so long to dis­cov­er it.

No theatrics here

I walked through the gar­den on a wet spring day when the paths were emp­ty and even the plants affect­ed a touch of ret­i­cence. My guide told me that May is the month when the gar­den is at it best — the aza­leas are in bloom, and dog­woods, tril­li­ums, and yel­low lady’s slip­pers — but I sus­pect that what she meant is “most spec­tac­u­lar.” The things I liked best about the Gar­den in the Woods I’ll wager you could find all year round.

Sure, the aza­leas and the tril­li­ums are there in May, but in keep­ing with the spir­it of the place there is a sub­tle­ty about them. There are no massed plant­i­ngs, no the­atrics. I liked the ele­ment of sus­pense that is built into the gar­den, the ten­sion, the poten­tial for sur­prise. A soli­tary bell­wort over­shad­owed by a mod­est clump of shoot­ing stars. A sun­dew that yields itself only to the close inspec­tion. Two white dog­woods glimpsed at the end of a long, green glade as if through the tube of a kaleidoscope.

The Gar­den in the Woods is the cre­ation of two men, Will Cur­tis and Dick Stiles, who were moti­vat­ed by sci­ence and love in about equal dos­es. Cur­tis grew up in Schylerville, N.Y., and plant­ed his first wild gar­den at the age of 10. He stud­ied land­scape archi­tec­ture at Cor­nell, and came to Mass­a­chu­setts as the employ­ee of a Boston land­scape firm. Even­tu­al­ly Cur­tis began his own land­scape busi­ness, but his dream was to cre­ate a botan­i­cal gar­den for the sci­en­tif­ic study, preser­va­tion, and enjoy­ment of wild plants.

Cur­tis’ first attempt to get a gar­den under­way was on a rather unpromis­ing tract of land in West Boyl­ston, Mass­a­chu­setts. Then on a fine fall day in 1930 he was dri­ving his truck along a bumpy back road in Fram­ing­ham and found — serendip­i­tous­ly — the par­tic­u­lar bit of geog­ra­phy he had dreamed of for 40 years: woods, sandy glacial ter­rain, ridges, ket­tle holes, bogs, numer­ous springs, a stream, a pond, a geog­ra­phy of sur­pris­es. For $1,000 he pur­chased 30 acres from the Old Colony Rail­road and his gar­den was born.

A few years lat­er Cur­tis was joined by Dick Stiles, a man with­out for­mal train­ing in hor­ti­cul­ture, but with an instinc­tive tal­ent for the prop­a­ga­tion of plants. Togeth­er the two men laid out and cul­ti­vat­ed what has become the largest land­scaped col­lec­tion of wild flow­ers in the North­east. The genius of the place is its under­state­ment. Cur­tis liked to tell the sto­ry of the cus­tomer of his land­scap­ing busi­ness who paid a large sum for ser­vices and then com­plained, “I can’t tell where you worked.” Cur­tis replied: “That’s the nicest com­pli­ment you could pay me.” The Gar­den in the Woods deserves the same compliment.

Known internationally

In 1965 Cur­tis and Stiles gave their gar­den to the New Eng­land Wild Flower Soci­ety. The gar­den now con­sists of 45 acres of land con­tain­ing more than 1,500 vari­eties of plants, includ­ing rare and endan­gered species. Three miles of trails wan­der through a vari­ety of habi­tats — wood­land, pond, bog, and mead­ow. In addi­tion there is a botan­i­cal library of 3,000 vol­umes and a col­lec­tion of 20,000 col­ored slides. The gar­den is an inter­na­tion­al­ly rec­og­nized cen­ter for con­ser­va­tion, native plant edu­ca­tion, and research.

On my walk through the Gar­den in the Woods I looked for per­son­al spring favorites — wood anemone, starflower, pitch­er-plant — here, as in our local woods and bogs, teas­ing the searcher with their elu­sive­ness. If your taste is for the extrav­a­gant and the gaudy, then the Gar­den in the Woods is not your place. It is a place of qui­eter, unsought-for plea­sures, a place where a sin­gle white lady’s slip­per could feel at home.


The Gar­den in the Woods, on Hemen­way Road in Fram­ing­ham, Mass­a­chu­setts, is open dai­ly, Mon­days except­ed, from mid-April to Octo­ber. - Ed.

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