Of the poet, scientists, and blackbirds

Of the poet, scientists, and blackbirds

Photo by Mark Timberlake on Unsplash

Originally published 24 January 2000

Eight black crows arrayed in the sparse limbs of a leaf­less elm, set against a gray win­ter sky. Their iri­des­cent feath­ers burned like eight black can­dles — spooky, mourn­ful, Bergmanesque.

I stopped in my tracks, trans­fixed. For a long inter­val we apprised each oth­er, the birds and I. Then with a cho­rus of caws the crows leapt from their perch­es, wheeled in the steely air and flew away.

What was it that hap­pened? How to explain the way time stood still in that win­ter mead­ow? For a long moment the uni­verse held its breath. No oth­er crea­tures exist­ed oth­er than the crows and me. The poet Sylvia Plath might have called it a mir­a­cle: “Mir­a­cles occur,” she writes in a poem about an encounter with a black bird, “if you care to call these spas­mod­ic tricks of radi­ance miracles.”

A trick of radi­ance. One of those sin­gu­lar moments that come unbid­den. Once they are over we can­not quite say what hap­pened, or why what hap­pened was impor­tant, but we know it was impor­tant, and for a long time after­ward we shiv­er, almost imper­cep­ti­bly, like a bell after it has been struck.

When I got to my office, I took out my Stokes Nature Guide to Bird Behav­ior and looked for crows. Not that I expect­ed to find there any­thing that would explain the inten­si­ty of my encounter with the birds in the mead­ow, but hav­ing been caught up even so briefly in the lives of crows I was curi­ous about their win­ter habits.

Dur­ing their non-breed­ing months, I learned, crows are extreme­ly gre­gar­i­ous, roost­ing at night in flocks that might con­tain many dozens of birds. Dur­ing the day, they break up into small­er groups and range wide­ly, return­ing to their roosts at night. My group of eight was prob­a­bly one of these small­er parties.

There has been amaz­ing­ly lit­tle study of crows by researchers, so most of the best ques­tions about the birds still can­not be answered,” writes Don­ald Stokes. We know that crows are among the most intel­li­gent of birds, some­times using tools, and even enjoy­ing a prim­i­tive num­ber sense. Beyond that, crows, with their cousins the ravens, are alien and sep­a­rate, rel­e­gat­ed by myth to being har­bin­gers of death or mes­sen­gers of the gods.

Bernd Hein­rich, pro­fes­sor of zool­o­gy at the Uni­ver­si­ty of Ver­mont, has brought the atten­tions of sci­ence to bear on ravens. In 1984 he saw a flock of ravens feed­ing on the car­cass of an ani­mal, and invit­ing oth­er ravens to join in. This appar­ent­ly unselfish behav­ior struck him as so unusu­al that he decid­ed to spend a win­ter at a for­est camp in Maine find­ing out if ravens are real­ly as altru­is­tic as they seemed.

One win­ter of research turned into four. Hein­rich’s note­books filled with data: num­bers of birds feed­ing at a car­cass, the kinds and fre­quen­cies of their vocal­iza­tions, the times and direc­tions of their arrivals and depar­tures, the kind and num­ber of oth­er birds and ani­mals feed­ing at a car­cass, and so on. Out of this wealth of data he teased an answer to his ques­tion: Not altru­ism, but a com­plex kind of social self-inter­est — you scratch my back, I’ll scratch yours — which Hein­rich explains in his won­der­ful book Ravens in Winter.

And where in all of this are the spas­mod­ic tricks of radi­ance, those moments of encounter with an ani­mal or ani­mals in the wild that so often leave one speech­less, breath­less, struck like a bell? Is Hein­rich’s sci­ence com­pat­i­ble with mys­tery? Might not the essen­tial mean­ing of ravens or crows be lost among the painstak­ing obser­va­tions, the sea of num­bers, the sci­en­tif­ic detec­tive work?

Wal­lace Stevens wrote a poem called “Thir­teen Ways of Look­ing at a Black­bird.” We might add to the poet­’s thir­teen ways the sci­en­tist’s one way. No mat­ter how deep was Hein­rich’s emo­tion­al or spir­i­tu­al attach­ment to the birds, no mat­ter how often he expe­ri­enced an inef­fa­ble encounter, it is the qual­i­ty of his data that will deter­mine the val­ue of his sci­ence. Sci­en­tif­ic con­clu­sions are not plur­al, but singular.

Are the poet­’s and sci­en­tist’s ways of see­ing mutu­al­ly incom­pat­i­ble? Must the poet and the sci­en­tist always be at log­ger­heads? Not at all. The strength of our civ­i­liza­tion is that we have found a way to live with both knowl­edge and mys­tery. Because of the sci­en­tist’s way of know­ing, we no longer won­der if those eight black crows in a win­ter tree are por­tents of death or a deity’s spies. And because of the sci­en­tist’s way of know­ing we have more lay­ers of crow-ness to mar­vel at — flock­ing behav­iors, vocal­iza­tions, nest­ing and repro­duc­tive habits, even, it turns out, anatom­i­cal affini­ties with dinosaurs.

But none of this lessens the ancient awe that froze me thought­less in my tracks when I saw those birds against the gray win­ter sky, ablaze like black can­dles. And when at last the birds dis­persed and a thought came to mind, it was not Stokes or Hein­rich but Wal­lace Stevens that I heard:

When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
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