Memories were made of this

Memories were made of this

Photo by Brian McCall on Unsplash

Originally published 8 April 1991

It’s a famil­iar sto­ry, but I’ll tell it again.

Mar­cel Proust, 42 years-old, takes a bite of cake, a madeleine. Instant­ly, the taste evokes mem­o­ries of his child­hood, of Sun­day morn­ings at Com­bray, of vis­its to his aunt Leonie in her room, of the pieces of madeleine that she gave to him, dip­ping them first into her lime-blos­som tea. That trick­le of mem­o­ries becomes the flood which is the nov­el­ist’s great work, Remem­brance of Things Past.

How do mem­o­ries hap­pen? Some years ago the fash­ion­able view held that mem­o­ries are stored in the brain as mol­e­cules, pro­teins, or RNA mol­e­cules that have some­how been mod­i­fied by expe­ri­ence. Most recent research, how­ev­er, sup­ports the idea that mem­o­ries are stored as net­works of inter­act­ing nerve cells, or neurons.

Accord­ing to the cur­rent view, expe­ri­ence tunes the con­nec­tions, or synaps­es, between nerve cells, cre­at­ing a dif­fer­ent “trace” of inter­con­nect­ed cells for each mem­o­ry. Remem­brance, then, must be imag­ined as a cob­web­by thing, an invis­i­ble net of elec­tro-chem­i­cal con­nec­tions infil­trat­ing the brain, trig­gered into con­scious­ness for Proust by the taste of a tea-dipped cake.

Forgotten memories

Some­one asked me the oth­er day about my first auto­mo­bile acci­dent. A fend­er-ben­der in 1962 came imme­di­ate­ly to mind. But that was not the first. The first was for­got­ten, buried deep among the sou­venirs of youth col­lect­ed and for­got­ten in the attic of the mind.

Then, a few days lat­er, I heard a song on a local “oldies” sta­tion, the Weavers singing “Good­night Irene.” Bin­go! There went the car, my Dad’s pale green 1950 Ford, careen­ing off the road, through a hedge and into a ditch, voic­es from a portable radio in the back­seat croon­ing “I’ll see you in my dreams.”

Instant­ly came the flood of remem­bered details: The girl by my side, the cause of the loss of con­trol at the wheel. Her short-cropped hair, with a dizzy per­ox­ide streak. Her fuzzy ango­ra cardi­gan. The dain­ty gold watch loose on her wrist, a 9th grade grad­u­a­tion present. Pen­ny loafers sloughed off. Paint­ed toenails.

Where does all this stuff come from, this Amer­i­can Graf­fi­ti scene from the past? How was it stored in the brain, wait­ing to be made instant­ly real. As fine-tuned synaps­es? Then how are the synaps­es tuned? What sort of chem­i­cal mag­ic hap­pens at the junc­tions between nerve cells to make these mem­o­ries per­ma­nent in the brain? Neu­rol­o­gists have giv­en the process a name — long-term poten­ti­a­tion, or LTP for short — but they are pret­ty vague about what exact­ly happens.

The sig­nal that pass­es from one neu­ron to anoth­er is car­ried by mol­e­cules called neu­ro­trans­mit­ters. Is the con­nec­tion between neu­rons strength­ened by the release of extra neu­ro­trans­mit­ters by the trans­mit­ting neu­ron? Or does the receiv­ing neu­ron mere­ly become more sen­si­tive? How is all this chem­i­cal activ­i­ty trig­gered by expe­ri­ence? And how do those zil­lions of cob­web­by synap­tic net­works stay active and dis­tinct for a lifetime?

An army of brain researchers is search­ing for answers, but progress is slow. There are as many as 100 bil­lion nerve cells in the human brain, each cell in com­mu­ni­ca­tion through a tree-like array of synaps­es with thou­sands of oth­er cells. The pos­si­bil­i­ties of inter­con­nec­tion are stag­ger­ing­ly intri­cate, and, in prin­ci­ple, suf­fi­cient to record far more vol­umes of mem­o­ries than even Proust man­aged to retrieve in his nov­el of more than a mil­lion words.

Some­where among the cob­web­by traces of my own brain are record­ed: The Skyview Dri­ve-In The­ater, Robert Tay­lor and Eliz­a­beth Tay­lor in Ivan­hoe. Ner­vous kiss­es with a taste of Clorets. Her house after the movie. Danc­ing in the back­yard under the pines and drink­ing Dr. Pep­pers. Rose­mary Clooney singing “Come On‑a My House” on a new 45 RPM sin­gle. I spill Dr. Pep­per on my plaid shirt. I’m glad it’s plaid so the spill won’t show. And then — the fate­ful spin in the car.

Networks of neurons

One hun­dred bil­lion inter­con­nect­ed cells some­how remem­ber­ing things that hap­pened 38 years ago. The prob­lem of fig­ur­ing this out sci­en­tif­i­cal­ly is next to impos­si­ble. No won­der mem­o­ry researchers often choose to work with sim­pler organ­isms, the sea snail Aplysia, for exam­ple. The sea snail’s ner­vous sys­tem con­sists of only about 18,000 cells, many of them big enough to see with the naked eye. The snails can be trained to exhib­it cer­tain behav­iors in response to stim­uli, and chem­i­cal and elec­tri­cal changes in their ner­vous sys­tems can be mon­i­tored with rel­a­tive ease.

But there are vast dif­fer­ences between Aplysi­a’s scanty net of neu­rons and the human brain. Can the sound of the Weavers singing “Good­night Irene” evoke an ensem­ble of mem­o­ries in a sea snail’s brain? Can a crea­ture with only 18,000 nerve cells be said to prop­er­ly remem­ber at all?

It was a long time ago, that first auto­mo­bile acci­dent. The Bomb. Korea. Fly­ing saucers. Steven­son vs. Eisen­how­er. Tony Cur­tis and Janet Leigh. And the girl in the ango­ra sweater, dis­tract­ing­ly pret­ty. A crunch of hedge, a jolt­ing bump. The radio in the back seat bounc­ing off the roof of the car, the Weavers ser­e­nad­ing though it all. Noth­ing hurt, except my pride. And some awk­ward scratch­es on the sides of my father’s car.

Red toe­nails and Cloret kiss­es, Rose­mary Clooney and Dr. Pep­pers — details from the past, some­what less than Prous­t­ian and per­haps best left for­got­ten, but indeli­bly etched in synap­tic con­nec­tions and res­ur­rect­ed by a song. Remem­brances of things past: a mon­u­men­tal prob­lem for sci­ence to solve and the inex­haustible stock-in-trade of novelists.

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