Firing up the time machine

Firing up the time machine

Detail from “Road with Cypress and Star” by Vincent van Gogh

Originally published 13 October 1997

A life­long sky watch­er, I recent­ly had the oppor­tu­ni­ty to watch the sky on the day of my birth, Sep­tem­ber 17, 1936, at the place of my birth, Chat­tanooga, Tennessee.

As dawn gath­ered in the east, Mars was shin­ing red in Leo, not far from the place of the ris­ing sun and close to the bright star Reg­u­lus. Sat­urn was sink­ing in the west.

The sun rose near­ly dead east, slid­ing up into a deep blue sky to begin its run above the equator.

At sun­set, a spec­tac­u­lar con­junc­tion of Venus, Mer­cury, and a day-old cres­cent moon, was briefly vis­i­ble in the west. High­er in the evening sky, Jupiter in Scor­pio dove to fol­low the sun.

I watched the day and night of my birth slip by on the screen of my com­put­er. For my birth­day, my wife gave me sky-sim­u­la­tion soft­ware called Star­ry Night Deluxe that dis­plays the sky any­time, any­where. I’ve used sky-sim­u­la­tor pro­grams before, but this one is the best — and cer­tain­ly the most fun.

The sky views are real­is­tic. The sky bright­ens and dark­ens as the sun ris­es and sets. Stars and plan­ets come out one by one in the evening sky. Trees adorn the hori­zon (they even cast shad­ows). If you adjust the pro­gram so that the view is straight down, you can see your feet.

The name of the soft­ware, Star­ry Night Deluxe, evokes Van Gogh’s famous paint­ing The Star­ry Night, with its blaz­ing stars and vor­tices of col­or. In fact, a repro­duc­tion of Van Gogh’s paint­ing is used on the start-up screen of the program.

The sky in The Star­ry Night is a prod­uct of Van Gogh’s fer­vid star-struck imag­i­na­tion. But anoth­er of the artist’s paint­ings, Road with Cypress and Star, is prob­a­bly based on an actu­al obser­va­tion. Some years ago, physi­cists Don­ald Olson and Rus­sell Doesch­er sug­gest­ed in Sky & Tele­scope mag­a­zine that Van Gogh may have wit­nessed a con­junc­tion of celes­tial objects like those in the paint­ing, at about the time the paint­ing was made.

With the soft­ware, I went to Saint-Rémy in the south of France on the evening of April 19, 1890. I stood with Van Gogh at the win­dow of the asy­lum where he had con­fined him­self because of his dis­turbed state of mind. I set the pro­gram in motion, and watched the sun sink in the west, imag­in­ing with my mind’s eye a fore­ground road with cypresses.

As the sun dipped below the hori­zon, a whis­per thin cres­cent moon appeared in the fad­ing light, only a day-and-a-half past new, a strik­ing sight under any cir­cum­stances, but made even more dra­mat­ic by the close prox­im­i­ty of blaz­ing Venus and bright Mercury.

This beau­ti­ful con­junc­tion of celes­tial objects would cer­tain­ly have been not­ed by any­one with a pass­ing inter­est in the sky, and we know that Van Gogh was keen­ly inter­est­ed in astron­o­my. As the moon and plan­ets set, and the sky dark­ened on the screen of my com­put­er, it was easy to imag­ine the artist’s excite­ment, his desire to fix onto can­vas the beau­ty he had just seen, trans­formed and height­ened by his imagination.

The Star­ry Night Deluxe sky-sim­u­la­tion soft­ware is fun, but how good is its sci­ence? How accu­rate­ly does the pro­gram repro­duce skies of long ago?

In Jan­u­ary 1997, Sky & Tele­scope mag­a­zine pub­lished a let­ter from some­one who had used sky-sim­u­la­tion pro­grams to repro­duce the first record­ed celes­tial obser­va­tion made by Nicholas Coper­ni­cus, on the evening of March 9, 1497, when Coper­ni­cus was a stu­dent in Bologna, Italy. This was near­ly half a cen­tu­ry before the great astronomer pub­lished the book that set the Earth spin­ning on its axis and mov­ing about the sun.

Coper­ni­cus tells us that he watched the moon move in front of the star Alde­baran. How­ev­er, accord­ing to Sky & Tele­scope’s cor­re­spon­dent, three sim­u­la­tion pro­grams showed the moon pass­ing by Alde­baran with­out cov­er­ing it.

Was Coper­ni­cus mis­tak­en? The prob­lem was that the com­put­er pro­grams did not take into account the prop­er motion of the star, a tiny drift through space that is gen­er­al­ly too small to be notice­able, but which can accu­mu­late over hun­dreds of years.

Star­ry Night Deluxe soft­ware does include the prop­er motion in its cal­cu­la­tions. I con­fig­ured the pro­gram for Bologna, Italy, on March 9, 1497. Sure enough, the moon passed in front of the star, which winked out behind the dark limb of a cres­cent moon. It was almost like being there, with the young Coper­ni­cus, mak­ing his his­toric observation.

Coper­ni­cus was led to his rev­o­lu­tion­ary hypothe­ses about the motion of the Earth by his desire to find a way to more exact­ly com­pute past and future celes­tial events. In par­tic­u­lar, he was inter­est­ed in find­ing a bet­ter way to pre­dict the dates of East­er, a feast whose cel­e­bra­tion is fixed by celes­tial hap­pen­ings. Coper­ni­cus was fol­low­ing a quest begun by Greek astronomers of antiq­ui­ty, to find a com­pu­ta­tion­al the­o­ry that repro­duces the observed motions of sun, moon, and planets.

Hip­parchus, Eudox­os, Ptole­my, Coper­ni­cus, Kepler, and New­ton would have loved to have seen where their efforts would take us — a celes­tial sim­u­la­tor of exquis­ite accu­ra­cy avail­able for every home computer.

Coin­ci­den­tal­ly, next Sun­day morn­ing in the hour before dawn, the moon will pass over bright Alde­baran, 500 years after Coper­ni­cus watched a sim­i­lar event. The blink­ing out of the star will be vis­i­ble in the west­ern sky, although the fat gib­bous moon will be so bright that you will need a small tele­scope to watch the actu­al moment of dis­ap­pear­ance. I know. I have already watched it hap­pen on the screen of my computer.

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