Elusive beauty of the green flash

Elusive beauty of the green flash

The green flash at sunset • ESO/G. Lombardi (CC By 3.0)

Originally published 30 December 1985

For 20 years I have looked for the green flash. I have looked from moun­tain tops and from canyon rims. I have looked from the coasts of two con­ti­nents. I have looked at sun­rise and I have looked at sun­set. I have not seen it.

The green flash is a momen­tary burst of col­or that is some­times seen at the top edge of the Sun’s disk as it drops below the hori­zon at sun­set, or as it appears above the hori­zon at dawn.

Mod­ern inter­est in the green flash did not begin with sci­en­tif­ic obser­va­tions, but with a work of sci­ence fic­tion. Jules Verne’s Le Ray­on Vert, pub­lished in 1882, described a long search for the mys­te­ri­ous ray.

My own long quest for the green flash began when I read an arti­cle on the sub­ject in 1965 by the astronomer D. J. K. O’Con­nell of the Vat­i­can Obser­va­to­ry. The effect described by O’Con­nell seemed so evanes­cent, so unex­pect­ed, so mar­velous, that I have pur­sued it ever since. The green flash turned out to be grand­ly elu­sive; 20 years lat­er I am still wait­ing and watching.

Retinal fatigue?

Before O’Con­nel­l’s research it was wide­ly assumed that the green flash was a sub­jec­tive phe­nom­e­na or an opti­cal illu­sion. Reti­nal fatigue was com­mon­ly held to be the “cause” of the flash. After look­ing into a bright­ly col­ored light our eyes become fatigued, and upon look­ing away we see the com­pli­men­ta­ry col­or; so, accord­ing to this the­o­ry, after look­ing for a while at the set­ting Sun, which is red, we tend to see the com­pli­men­ta­ry col­or, green, when the sun drops below the hori­zon. But reti­nal fatigue does not explain why the flash can pre­cede the Sun at sunrise.

O’Con­nel­l’s work proved the sub­jec­tive the­o­ries false. He suc­ceed­ed in obtain­ing col­or pho­tographs of the flash. The pho­tographs were not easy to make. The band of col­or to be cap­tured on film is exceed­ing nar­row and fleet­ing. But the evi­dence of the pho­tographs was indis­putable. The green flash is not an arti­fact of the eye. In pho­to­graph after pho­to­graph, the Sun’s red disk is capped with a strip of emer­ald green.

The green flash can only be seen if the hori­zon is sharply defined and the sky is free from haze, con­di­tions most com­mon­ly encoun­tered in the trop­ics, on coasts, in high moun­tains, or in deserts. I have friends who often saw the green flash from the deck of an oil tanker in equa­to­r­i­al waters.

O’Con­nell notes that Egypt offers excep­tion­al­ly favor­able cir­cum­stances for observ­ing the flash, and he points out that there is some arche­o­log­i­cal evi­dence that the ancient Egyp­tians were famil­iar with the phe­nom­e­na. Accord­ing to O’Con­nell, there is a stone pil­lar dat­ing from 2000 B.C. that shows the ris­ing sun col­ored blue above and green below. The Egyp­tians seem to have believed that the sun is green dur­ing its noc­tur­nal pas­sage beneath the Earth, a love­ly idea that may have derived from obser­va­tions of the green flash at both sun­set and sunrise.

The cause of the green flash has now been care­ful­ly estab­lished. As the Sun ris­es or sets, its light strikes the Earth­’s atmos­phere at an oblique angle and pass­es through a great thick­ness of air. The atmos­phere caus­es the light rays to bend or refract, in the same way that a stick appears bent that is part­ly sub­merged in water at an angle. The degree of bend­ing depends upon the col­or of the light; vio­let rays are deflect­ed most, red rays least. 

Rainbow of colors

As with a prism, this dis­pers­es the Sun’s col­ored rays into a rain­bow. When the Sun sets, its col­ors should dis­ap­pear over the hori­zon one by one — red first, vio­let last — depend­ing upon the degree of bend­ing, as the rain­bow pass­es across the observ­er. But the orange and yel­low rays in the light of the set­ting Sun are absorbed by water vapor, oxy­gen, and ozone in the atmos­phere. The blue and vio­let rays are scat­tered out of the path of the light by bounc­ing off mol­e­cules of air. Oth­er than red, the col­or least affect­ed by pas­sage through the atmos­phere is green, and that is what, briefly, the observ­er sees.

In pro­duc­ing the green flash, nature uses almost every gim­mick in its opti­cal bag of tricks — refrac­tion, dis­per­sion, absorp­tion, and scat­ter­ing. It is a daz­zling pro­duc­tion, a bit of nat­ur­al wiz­ardry, a mar­vel of opti­cal legerdemain.

In a way, I am pleased that my search for the green flash has been unsuc­cess­ful. Some things in nature should remain elu­sive. “What makes the desert beau­ti­ful,” said Antoine de Saint-Exupéry’s Lit­tle Prince to his pilot, “is that some­where it hides a well.” The green flash is my hid­den well.

But I will go on look­ing. After all, what activ­i­ty could be more plea­sur­able than stand­ing on a rocky coast or a moun­tain peak at sun­rise or sun­set, hold­ing my breath with a world that is expec­tant and still, wait­ing to be stained for an instant green by a curi­ous quirk of light and air.


In the years since this essay was first writ­ten, Chet per­son­al­ly wit­nessed the elu­sive green flash many times from a favorite beach in the Bahamas. ‑Ed.

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