Image of portable radio

Photo by Rayan Almuslem on Unsplash

Illustration of the Brooklyn Bridge in 1883

Chromolithograph of the “Great East River Suspension Bridge,” 1883 • Currier and Ives (Public Domain)

Image of brightly colored human face

Photo by h heyerlein on Unsplash

Image of Boston

The Charles River Basin • Photo by Prateek Pisat on Unsplash

Image of Civil War battlefield

The aftermath of the Battle of Antietam, 1862 • Alexander Gardner

No badge of courage in ‘star wars’

In Stephen Crane’s Amer­i­can clas­sic, The Red Badge of Courage, young Hen­ry Flem­ing goes off to war fired by dreams of hero­ic sweep and grandeur. “He had read of march­es, sieges, con­flicts, and had longed to see it all. His busy mind had drawn for him large pic­tures extrav­a­gant in col­or, lurid with breath­less deeds.” In the war to pre­serve the Union he would min­gle in one of the great affairs of the earth. He longs, yes longs, for the sym­bol­ic wound, the blood-red badge of courage.

Image of a levitating superconductor

A high temperature superconductor levitating above a magnet • Julian Litzel (CC BY-SA 3.0)

A superfluity of supers

Con­sid­er the word “mar­ket.” First, it suf­fered a cer­tain aggran­dize­ment and became “super­mar­ket.” Then, as com­pact super­mar­kets appeared on the scene, a new word was need­ed. The sim­plest solu­tion would have been a return to “mar­ket.” What in we end­ed up with instead was “super­ette,” a curi­ous­ly self-can­cel­ing word made of a pre­fix and a suf­fix with noth­ing in the middle.

Image of Chernobyl Nuclear Power Station

Reactor 4 at Chernobyl Nuclear Power Plant • Paweł Szubert (CC BY-SA 3.0)

Nuclear realities

The world’s first nuclear pow­er sta­tion, at Ship­ping­port, Pa., came on line in the late 1950s. After the hor­rors of Hiroshi­ma and Nagasa­ki, the Ship­ping­port plant seemed to vin­di­cate our hard-won knowl­edge of the atom­’s secrets. Here at last was a peace­time use for atom­ic ener­gy. Mag­a­zines were full of arti­cles with titles like “The Atom: Our Obe­di­ent Ser­vant.” For most of us, it was the dawn­ing of an age bright with promise.

Image of Da Vinci's scythed chariot

Leonardo's design for a scythed chariot

The dark side of Leonardo

Thore­au, Emer­son, and Hawthorne all record in their jour­nals a moment when the shrill whis­tle of the Fitch­burg Rail­road intrud­ed upon the tran­quil­i­ty of the Con­cord woods. The track of that rail­road passed very close to Walden Pond, and Thore­au espe­cial­ly took note of the way the smoke-belch­ing loco­mo­tive dis­rupt­ed his coun­try reveries.

Image of replica Atanasoff-Berry computer

A replica of the Atanasoff-Berry computer at Iowa State University • Photo by Manop (CC BY-SA 3.0)

Image of man working at computer and music keyboard

Photo by Jesman fabio on Unsplash

But will it play in drawing room?

We have a teenag­er in our house with equal enthu­si­asm for com­put­ers and for clas­si­cal music. He brings the two togeth­er with inex­pen­sive soft­ware that allows him to tran­scribe a musi­cal score into his com­put­er, manip­u­late voice, key and tem­po, and play it back through the stereo sys­tem. The result leaves some­thing to be desired. When you have heard a Mozart piano con­cer­to syn­the­sized by a four-voice home com­put­er, it is easy to con­clude that com­put­ers and music should nev­er be allowed to mix.