A sense of place: a conversation

A sense of place: a conversation

Photo by Robert Murray on Unsplash

Originally published 25 June 2006

It would be hard to find two writ­ers more dif­fer­ent than Eudo­ra Wel­ty and Edward Abbey. Wel­ty was a Pulitzer Prize-win­ning author of sto­ries and nov­els who lived all her life in Jack­son, Mis­sis­sip­pi, in the house in which she was born, the beloved spin­ster aunt of Amer­i­can let­ters. Abbey was a hard drink­ing, butt-kick­ing nature writer and con­ser­va­tion­ist best known for his books on the Amer­i­can South­west. Both writ­ers are favorites of mine. Both were great cham­pi­ons of place. I always won­dered what it would have been like if they got together.

As far as I know, that nev­er hap­pened. But let’s imag­ine a con­ver­sa­tion. I have tak­en extracts from Wel­ty’s essay “Some Notes on Riv­er Coun­try” (1944) and from Abbey’s essay “The Great Amer­i­can Desert (1977) and inter­leaved them:

This lit­tle chain of lost towns between Vicks­burg and Natchez.”

This desert, all deserts, any deserts.”

On the shady stream banks hang lady’s eardrops, fruits and flow­ers dan­gling pale jade. The pas­sion­flower puts its ten­drils where it can, its strange flow­ers of lilac rays with their lit­tle white tow­ers shin­ing out, or its fruit, the may­pop, hanging.”

Oily growths like the poi­son ivy — oh yes, indeed — that flour­ish in sin­is­ter pro­fu­sion on the dank walls above the quick­sand down those cor­ri­dors of gloom and labyrinthine monot­o­ny that men call canyons.”

All creep­ers with trum­pets and pan­i­cles of scar­let and yel­low cling to the tree­tops. There is a vine that grows to great heights, with heart-shaped leaves as big and soft as sum­mer hats.”

Every­thing in the desert either stings, stabs, stinks, or sticks. You will find the flo­ra here as ven­omous, hooked, barbed, thorny, prick­ly, nee­dled, saw-toothed, hairy, stick­ered, mean, bit­ter, sharp, wiry and fierce as the animals.”

Too pret­ty for any harsh fate, with its great mossy trees and old camellias.”

Some­thing about the desert inclines all liv­ing things to harsh­ness and acerbity.”

The clat­ter of hoofs and the bel­low of boats have gone. The Old Natchez Trace has sunk out of use. The riv­er has gone away and left the land­ings. But life does not for­sake any place.”

In the Sono­ran Desert, Phoenix will get you if the sun, snakes, bugs, and arthro­pods don’t. In the Mojave Desert, it’s Las Vegas. Up north in the Great Basin Desert, your heart will break, see­ing the strip mines open up and the pow­er plants rise…”

The Negro Bap­tist church, weath­ered black with a snow-white door, has red hens in the yard. The old gal­leried stores are board­ed up. The miss­ing hous­es were burned — they were emp­ty, and the lit­tle row of Negro inhab­i­tants have car­ried them off for firewood.”

…the high­way builders, land devel­op­ers, weapons testers, pow­er pro­duc­ers, clear cut­ters, oil drillers, dam beavers, subdividers.”

Even­tu­al­ly you see peo­ple, of course. Women have lit­tle errands, and the old men play check­ers at a table in the front of the one open store. And the peo­ple’s faces are good.”

Cal­i­for­ni­cat­ing.”

To go there, you start west from Port Gib­son. Post­men would arrive here blow­ing their horns like Gabriel, after rid­ing three hun­dred wilder­ness miles from Tennessee.”

Why go into the desert? Real­ly, why do it? That sun, roar­ing at you all day long. The fetid, tepid, vapid lit­tle water holes full of can­ni­bal bee­tles, spot­ted toads, horse­hair worms, liv­er flukes. Why go there?”

I have felt many times there is a sense of place as pow­er­ful as if it were vis­i­ble and walk­ing and could touch me. A place that ever was lived in is like a fire that nev­er goes out. Some­times it gives out glo­ry, some­times its lit­tle light must be sought out to be seen.”

Why the desert, when you could be camp­ing by a stream of pure Rocky Moun­tain spring water. We have cen­tipedes, mil­li­pedes, taran­tu­las, black wid­ows, brown reclus­es, Gila mon­sters, the dead­ly poi­so­nous coral snakes, and the giant hairy desert scor­pi­ons. Plus an immense vari­ety of near-infi­nite num­ber of ants, midges, gnats, blood­suck­ing flies, and blood-guz­zling mosquitoes.”

Much beau­ty has gone, many lit­tle things of life. To light up the night there are no man­sions, no cel­e­bra­tions. Wild birds fly now at the lev­el where peo­ple on boat deck once were strolling and talking.”

In the Amer­i­can South­west, only the wilder­ness is worth saving.”

There is a sense of place there, to keep life from being extin­guished, like a cup of the hands to hold a flame.”

A friend and I took a walk up beyond Coconi­no Coun­ty, Ari­zona. I found an arrow sign, point­ed to the north. Noth­ing of any unusu­al inter­est that I could see — only the famil­iar sun-blast­ed sand­stone, a few scrub­by clumps of black­bush and prick­ly pear, a few acres of noth­ing where only a lizard could graze. I stud­ied the scene with care. But there was noth­ing out there. Noth­ing at all. Noth­ing but the desert. Noth­ing but the silent world.”

Per­haps it is the sense of place that gives us the belief that pas­sion­ate things, in some essence, endure.”

In my case, it was love at first sight. The kind of love that makes a man self­ish, pos­ses­sive, irritable…”

New life will be built upon these things.”

…an unre­quit­ed and exces­sive love.”

It is this.”

That’s why.”

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